Sing lullaby!
Hush, do not wake the infant King.
Soon comes the cross, the nails, the piercing,
then in the grave at last reposing;
Sing lullaby!
Hush, do not wake the infant King.
Soon comes the cross, the nails, the piercing,
then in the grave at last reposing;
Sing lullaby!
Could there be a more
shocking contrast? The hopeful birth of the long awaited Saviour-King, and the
brutal execution of a condemned man through crucifixion. They don’t cohere, and
it feels almost offensive considering them together, for we do not ponder the
birth of criminals nor the death of newborns. Yet this traditional Basque
lullaby makes us confront this most sobering of fact: the baby Jesus of our
Christmas carols died a horrendous death at Calvary
just 33 years later.
But the most shocking
thing about Jesus’ death wasn’t that the hope of Emmanuel appeared over (for we
all know the reality of disappointment). Rather, it was that this death was the
means of fulfilling that very hope. For God’s plan of redeeming humankind and
reversing the tyranny of curse rested on Jesus receiving, in our place, the
wrath of God that was justly set upon all humans. In Jesus’ death, God’s
perfect love and perfect justice toward humankind were reconciled. Jesus’ death
unlocked God’s good countenance and so fulfilled, rather than ruined, the
promise of the Saviour-King.
While we focus on the
incarnation of Jesus at Christmas time, we should never forget that His birth
was only the beginning of Jesus’ mission. It was not the end of the story of
God’s grace, but the start. Easter follows Christmas, and their hope cannot be
separated.
Sing Lullaby (The Infant King) - Basque traditional, arr. David Wilcocks
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